Sociomateriality in the Creative Process in Advertising Agencies
DOI:
https://doi.org/10.5020/2318-0722.2025.31.e16615Palavras-chave:
sociomateriality, creative process, publicity agencies, creative industryResumo
Traditionally, studies on creativity have favored approaches centered on individual cognitive abilities or, more broadly, on social and environmental factors. The objective of this research was to analyze how aspects of sociomateriality shape the creative process in advertising agencies, a sector in which the phenomenon of creativity constitutes the core of organizational activities. Within the context of creative industries, the study starts from the understanding that advertising production involves not only individual skills but also continuous interactions between professionals, artifacts, digital technologies, and workspaces. This is a qualitative research study, employing participant observation in an advertising agency, with the activities of the creative department as the empirical reference. The results indicate that the creative solution emerges from a creative assemblage, constituted by humans and non-humans, which is articulated in a synthetic virtual world enabled, above all, by the intensive use of the internet and digital tools. By understanding creativity as a situated and relational practice, and by assuming the inseparability between humans and artifacts, this study contributes to a socio-material shift in creativity studies, broadening the understanding of the phenomenon beyond exclusively psychological or social perspectives. The study offers contributions to the field of creativity by highlighting how materiality enhances and shapes the creative process in everyday organizational life, strengthening the understanding of creativity as a socio-material practice.
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